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The
chalice and the flame were brought together as a Unitarian symbol by an
Austrian artist, Hans Deutsch, in 1941. Living in Paris during the 1930's
Deutsch drew critical cartoons of Adolf Hitler. When the Nazis invaded
Paris in 1940, he abandoned all he had and fled to the South of France,
then to Spain, and finally, with an altered passport, into Portugal.
There,
he met the Reverend Charles Joy, executive director of the Unitarian Service
Committee (USC). The Service Committee was new, founded in Boston to assist
Eastern Europeans, among them Unitarians as well as Jews, who needed to
escape Nazi persecution. From his Lisbon headquarters, Joy oversaw a secret
network of couriers and agents.
Charles
Joy felt that this new, unknown organisation needed some visual image
to represent Unitarianism to the world, especially when dealing with government
agencies abroad.
Deutsch
was most impressed and soon was working for the USC. He later wrote to
Joy:
"I
am not what you may actually call a believer. But if
your kind of life is the profession of your faith---as it is, I feel
sure---then religion, ceasing to be magic and mysticism, becomes confession
to practical philosophy and---what is more- --to active, really useful
social work. And this religion--- with or without a heading---is one
to which even a `godless' fellow like myself can say wholeheartedly,
Yes!"
The
USC was an unknown organization in 1941. This was a special handicap in
the cloak-and-dagger world, where establishing trust quickly across barriers
of language, nationality, and faith could mean life instead of death.
Disguises, signs and countersigns, and midnight runs across guarded borders
were the means of freedom in those days. Joy asked Deutsch to create a
symbol for their papers "to make them look official, to give dignity
and importance to them, and at the same time to symbolize the spirit of
our work.... When a document may keep a man out of jail, give him standing
with governments and police, it is important that it look important."
Thus,
Hans Deutsch made his lasting contribution to the USC and, as it turned
out, to Unitarian Universalism. With pencil and ink he drew a chalice
with a flame. It was, Joy wrote his board in Boston, a chalice with a
flame, the kind of chalice which the Greeks and Romans put on their altars.
The holy oil burning in it is a symbol of helpfulness and sacrifice....
This was in the mind of the artist. The fact, however, that it remotely
suggests a cross was not in his mind, but to me this also has its merit.
We do not limit our work to Christians. Indeed, at the present moment,
our work is nine-tenths for the Jews, yet we do stem from the Christian
tradition, and the cross does symbolize Christianity and its central theme
of sacrificial love.
The
flaming chalice design was made into a seal for papers and a badge for
agents moving refugees to freedom. In time it became a symbol of Unitarian
Universalism all around the world.
The
story of Hans Deutsch reminds us that the symbol of a flaming chalice
stood in the beginning for a life of service. When Deutsch designed the
flaming chalice, he had never seen a Unitarian or Universalist church
or heard a sermon. What he had seen was faith in action---people who were
willing to risk all for others in a time of urgent need.
Today,
the flaming chalice is the official symbol of the Unitarian
Universalist Service Committee and the Unitarian
Universalist Association. Officially or unofficially, it functions
as a logo for hundreds of congregations. A version of the symbol was adopted
by the General Assembly of Unitarian and Free Christian Churches in Britain.
It has since been used by Unitarian churches in other parts of the world.
Perhaps most importantly, it has become a focal point for worship. No
one meaning or interpretation is official. The flaming chalice, like our
faith, stands open to receive new truths that pass the tests of reason,
justice, and compassion.
Dan Hotchkiss
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